Wednesday, 25 September 2013

Music Directors - John Landis

John Landis is an America screenwriter, producer, actor and film director. In the world of music videos he is well known for his videos with Michael Jackson, Paul McCartney and B.B King. He is most commonly known for his work in the film industry such as the film 'Twilight Zone - The Movie' and 'The Blues Brothers'.

Michael Jackson - 







These are the two videos that John Landis directed for Michael Jackson.

Thriller - This was shown in cinemas and was named the greatest music video in human history. But it was more of a short movie than a music video.  Landis is best known for his horror film and therefore was the best person to direct this video.
Black and White - Popularised the used of Digital Morphing. It raised the standard for music videos to use state of the art special effects.

Having been a film director, the music videos that John Landis has created is more in the style of short movies unlike a lot of music videos they follow a very detailed narrative and use a lot effects to make it more exciting to watch.

As well as directing these videos he has also directed;


  • Spies like us - Paul McCartney 
  • Into the Night  - B.B King 
  • In the Midnight Hour - B.B King
  • My Lucille - B.B King




Thursday, 19 September 2013

Voyeurism

The definition of Voyeurism is a viewer gaining sexual gratification through observing naked bodies or sexual acts. 

Voyeurism is commonly used in music videos to attract more viewers. Its is often used in music videos to objectify women. The camera is used to portray the male gaze, therefore there are a lot of close ups and the use of low angles to show the sexual treatment of the star. This is especially used with a lot of sex symbols for example Beyonce, Brittany Spears and Rihanna. There are many videos that can show the way that female singers being objectified. Here are a couple of examples -

The most well know video for this is Benny Benassi - Satisfaction (2009) 



Although this video isn't selling the artist as a sex symbol, it is selling the song through voyeurism.  The establishing shot of the music video is a women banging a nail into wood. But she has minimal amount of clothing and is bent over in a very sexual manner that would appeal to a male audience. The jump cuts then used to show her in a mid shot and then a long shot to show off her body. There is also then use of slow motion so that viewer is able to see her whole body shake whilst she is hammering the nail. For a female viewer it is clear within the first 10 seconds that this video isn't really aimed at them. The close ups of the intimate places on the female body is also to emphasis the sexual element of this video. The slow low angles used to show of the females legs as well as a fast paced editing used to showcase a number of images of different females bottoms and lips. All of which over emphasis the sexual nature of the song. The use of power tools can be seen in a number of different ways that link to sex. Firstly the word tool is used to describe a male who sleeps around with a lot of women and doesn't really have a lot of respect for women. The tools are also being advertised which can be seen as the way women are viewed in music videos, they are trying to sell the music off there bodies. Finally there is a contraction to the female stereotype. Females are seen as too delicate to do DIY or manual labour and this video contradicts that and also shows them as being sexually attractive whilst doing it. Also each women is shown to be sweating from that manual labour and working out which links back to the sexual tone of the video and lyrics. The lyrics are also key to this video. "Push me and then just touch me so I can get my satisfaction" This relates to the female objectivity that the video is showing as well as how women can be seen as objects of sex to the male gender.

A more recent video is Miley Cyrus - Wrecking Ball



This song can be seen as an emotional song but the artist has ruined this by sexualizing the video to sell it. The video begins with close ups of the artists face and tears streaming down her face this then goes on to her in a room by herself with a sledgehammer and of course a wrecking ball. This continues and there are a lot of sexual innuendos used that do not even relate to the song or lyrics at all. She is seen to lick the sledgehammer and ride on the wrecking ball nude. This is only after we have seen her wall around the room in only a white top and white underwear although white can be used to symbolise purity in this case I cannot see a link to purity when the video is so over sexualized. We also see a a range of close ups, mid shots and long shots to emphasis her lack of clothing when she is on the wrecking ball. Adding to this she bites her lip in a sexual manner as she is on the wrecking ball. Personally I am not sure what to make of this video as it has been made with a clear intention to attract a male audience to watch it even though it is quite an emotional female song. It seems as though the artist wants the male attention and is therefore gaining that from the viewers of the video even if the song with it emotional meaning and lyrics isn't. She is objectifying herself in this video, as this is only of the first emotional songs to have sexual footage and connotations within the video.

As for voyeurism in women it is very rare for a male to be objectified for the sexual gain of women but there are certain cases in which this has happened. For example

How to be a Heartbreaker - Marina and the Diamonds 


This video uses all the techniques used to objectify women but to men. The use of the shower room to show the males as wet, and the close ups of the water running of their heads, chests and tattoos. This is alluring to the opposite sex. As well as objectifying  males this video also shows a lot of the female artist but as a "player". It shows her as a fully in control women that can have which ever man she wants and the lyrics are are trying to advocate the behaviour that women can fool around as much as men can. The use of the "rules" are also interesting as if to show women how to objectify men. It proves that it is not just something that males can do as well as showing that objectification in music videos works for both genders not just women. Although there are not many videos in which this occurs therefore this could be seen as an exception to the rule.

Sunday, 1 September 2013

Payphone - Maroon 5



Review

  • Personally this is my favourite music video of all time. I love the extravagance of it, the storyline is elaborate and a there are a lot of extremely good shots in my opinion. I also love the fact that it starts at the end and then proceeds to show you how he got to the payphone. 
  • The storyline keeps you watching there is so much going on once the robbery has taken place there are explosions and car chases and it makes it into almost a short film. 
  • There are so many things I would love to use that are used in this video. The shots in which you seem them getting shot at look amazing, as well as all the car chasing and explosions but realistically we cannot pull that sort of thing off. But I would like to use some of the other shots like the one of them running down a crowded street I think it looks good as well as the range of long shots they use.
  • I have learnt from this music video that a lot of work can be put into music video and some can even look like short films but for that to be possible a lot of money and time is required. 
  • Although I do love this music video I think this style of video would need to be avoided as there is no way we could go around blowing things up! But it would be great to try and create a music video that is almost as good as a short film. I think the key thing is looking a song and its lyrics to create a strong enough storyline.